Hello everbody,
Here's a short review I wrote for the first volume of V for Vendetta, check it out if you have time.
Review V for Vendetta Vol. 1.
GG.
My Manga Corner
Hooooi..! In this blog I want to write about manga and other things!
maandag 18 november 2013
zondag 24 maart 2013
Introduction!
Hello and welcome on my blog. My name is Genki.Gamer, but people call me Johnny. In
this post I will shortly discuss an interesting debate in the Belgian
media. This post is meant as a short introduction to more a more in
depths post on a manga that I want to discuss in the future.
Kuifje,
Tin Tin in English has recently stirred up an interesting controversy
in Belgium, the country of Tin Tin’s creator Hergé. The debate is on one
of Hergé’s early comics: Tin Tin in Congo (1931). One only needs to
look at the cover of the comic to understand what the controversy is
about. A young Congolese student accused Hergé of being racist and
started different court cases against the comic between 2007 and 2012.
Despite the fact that several changes have been made to the comic over
the decades the Congolese students demands the comic is put out of print
in Belgium and in France.
The debate in
my opinion is a very interesting one for it shows the common tensions
that exist between aesthetics and human rights if you will. Hergé’s
comics have been read by many and many generations. My father grew up
reading Hergé in the 60s and without a doubt his comics has been of
significant influence to him and other around that age. This aspect of
history and nostalgia to a certain degree give the comic a feel of
artistic timelessness. It feels wrong to ban a comic that so many people
grew up reading and enjoying. In no way am I saying that the revisions
to the comic have been wrong or do I believe the Congolese student to be
making a big mistake by starting these court cases. Tin Tin in Congo is
without a doubt a racist comic, yet it would be a shame if that would
be the only conclusion we would come to. As I mentioned before the comic
in my opinion has over the years reached an important historic status. I
know this point is difficult to defend, especially because words as
“historic status” or “artistic value” tend to come across as vague
because whatever people find historically important or artistically
beautiful is based on opinions.
The comic in many ways gives us
interesting insights into our (Belgiums) colonial past. “How?” I hear
somebody ask? Hergé admitted that when writing the comic, he himself had
never been to Congo, neither had he done research on daily life in
Congo. In that case there is no way that Tin Tin in Congo can reflect
the reality of life in Africa. Then what is it we are seeing? Tin Tin in
Africa simply reflects the image of how Hergé and other Belgians in the
1930s viewed Congo. The comic in this respect teaches us more about the
colonizer, and his view of Congo than that it teaches us about the
colonized. One could argue that this makes Tin Tin in Congo a typical
case of Orientalism. This view changes the status of the original,
unedited version of the comic from a racist comic into that of one with
historic relevance that exposes important power structures from back
then.
That would be my opinion, I’d be interested in reading what you have to say on this matter.
GG
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